His work was exhibited internationally at multiple biennales and festivals (Venice, Gwangju, Brussels, Manifesta, Johannesburg, Istanbul), at the documenta X in Kassel, several ISEA exhibitions, several Ars Electronica presentations and major museums, such as the P.S.1 MOMA, New Museum of Contemporary Art, ICC NTT Tokyo, YCAM Yamaguchi, Van Abbemuseum and others. He is the recipient of many prizes for his work, including the 2001 Golden Nica Prize at Ars Electronica together with Carsten Nicolai for their work, polar, and the UNESCO Digital Media Prize for Makrolab in 2004. University of California, Santa Barbara. The Laws of Cool: Knowledge Work and the Culture of Information, Local Transcendence: Essays on Postmodern Historicism and the Database, Transcriptions: Literature and the Culture of Information, Literature and the Culture of Information, Transliteracies: Research in the Technological, Social, and Cultural Practices of Online Reading. He taught at Aveiro University (Portugal) and Federal University of Minas Gerais (Brazil). Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. Lisa Jevbratt's work - ranging from internet visualization software to biofeedback and interspecies collaboration - is concerned with collectives and systems, the languages and conditions that generate them, and the exchanges within them. Jeremy Jacobs Jeremy Jacobs. She is director of the Expressive Computation Lab a group whose research spans computational art and design, human computer interaction, and systems engineering. His interests are the algorithmic composition of instrumental, electronic and computer music, music software development as well as interdisciplinary activities, e.g. In 2010 he was awarded the lifetime achievement award from the Society for Electro-Acoustic Music in the United States (SEAMUS). Reflecting that emphasis, she is one of the principal developers of the Regional Hydro-Ecologic Simulation System (RHESSys), an integrated model of spatially distributed carbon, water, and nitrogen cycling. 2. Connect. He holds a PhD from University of California, Santa Barbara, where he was a fellow of the Regents of the University of California, and a Diploma from the Institute for Applied Theater Studies in Gieen, Germany, where he was a student of composer and director Heiner Goebbels and a fellow of the German National Academic Foundation. Organizations from academia, industry, government, and the non-profit sector that collaborate with UChicago CS. From 1994-2010 he was a member of the International Academy of Electroacoustic Music in Bourges, France. University of California, Santa Barbara A fully updated and accurate Bio-Bib is exceptionally important because this is the official record . University of California, Santa Barbara. hb```b``9sAc[XgzIw6DeaXP!jU"3g2Fss4>y~e+sKCLV$*>3-Gy5bw/k U5 The Experimental Visualization Lab (ExpVisLab) is one of 7 dedicated research labs in the Media Arts & Technology arts-engineering program at UCSB. %PDF-1.4 % hb```b``b`a``cad@ A6 daxP`Bca4 R@9Tjx5n$_L]r0:G\KE. 0000000696 00000 n (805) 893-2084 Public figure. Chandra has supervised and mentored over 40 students, has published her work in a wide range of ACM venues including CGO, ECOOP, PACT, PLDI, OOPSLA, ASPLOS, and others, and leads several educational and outreach programs that introduce computer science to young people, particularly those from underrepresented groups. 0000132831 00000 n Office: ED 2218, English-Language Arts UC Santa Barbara Jennifer Jacobs Login to UC Santa Barbara. Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technology's Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. His research includes haptic engineering and perception, robotics, human-computer interaction, analog, digital, and spatial sound, motivated by emerging opportunities in human-computer interaction, sensorimotor augmentation of the human body, soft robotics, and interaction in virtual reality. Chandra's efforts have been recognized with a 2006 NSF CAREER award, the 2008 CRA-W Anita Borg Early Career Award (BECA), and the 2008-9 UCSB Academic Senate Distinguished Teaching Award. Facebook; Instagram; LinkedIn; YouTube; Sarah Jacobs He is the creator of Artsmesh, a macOS application for live networked music performance. Office: ED 3224, Katie Blackwell for a Member company and need a Member Portal account? Cyborgs and Space. UCSB Center for Responsible Machine Learning. Supporting Expressive Procedural Art Creation through Direct Manipulation. During 2002-2007 he was a member of the Board of Directors of the Electronic Literature Organization (ELO) and chair of the Technology/Software Committee of the ELOs PAD Initiative (Preservation / Archiving / Dissemination of Electronic Literature). 0000054815 00000 n She also received an M.F.A. Jennifer Jacobs is Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). Assistant Professor of Media Arts and Technology, Proceedings of the SIGCHI Conference on Human Factors in Computing Systems. Previously, heworked at the Harvard Microrobotics Lab and the ETH Multi-scale Robotics Lab. Professor Emeritus My particular expertise in this area is vision-based interfaces, using computer vision as an input modality: tracking, recognizing, and modeling people and their activity. Specialization: Data visualization, computation & photography, interactive media art installation, mobile robotic multi-camera imaging. And we surely wouldn't want to. Beyond this, Tobias's main research interests lie in virtual reality, 3D displays and interaction, visualization, mobile and wearable computing, and adaptive user interfaces. He undertook speech recognition research at Vocal Point Inc., now part of Nuance (makers of Siri), and sonar R&D at ARL Austin. RE Touch Lab - Director and Principal Investigator. AlloSphere Research Group. We develop domain-specific programming languages that allow practitioners to extend and modify software tools as they create. He is especially interested in the motives and ways these communities collaborated with one another, how Cold-War derived technologies such as lasers and digital computers were enlisted for artistic purposes, and the presence of Cold War themes such as nuclear war, cybernetics, and the Space Race in art from the 1950s, 60s, and 70s. Kate Farms is strengthened by the heart and . Department of History, 3251 Humanities and Social Sciences Building, www.history.ucsb.edu/faculty/w-patrick-mccray. 1960). My research lab investigates . In 2010-11, he shared a Collaborative Research Fellowship from the American Council of Learned Societies with Cyrus Mody (Rice University) and Mara Mills (NYU) which will help support the writing of this book as well as a new project on "high tech intellectuals". His collection of electronic music compositions POINT LINE CLOUD won the Award of Distinction at the 2002 Ars Electronica in Linz and was released as a CD + DVD on the Asphodel label in 2005. At UChicago CS, we welcome students of all backgrounds and identities. Research in HCI, with focus on AR/VR, InfoVis, 3D displays and UI, Computer Vision, contextual and social computing. Assistant Professor of Media Arts and Technology. Supervisor: Maneesh Agrawala. and B.F.A from Hunter College and the University of Oregon respectively. Many of her rides had remained available until a class purge in August 2020 . 0000005189 00000 n Research in HCI, with focus on Expressive and Creative Computing and Manufacturing. Jennifer Jacobs, Assistant Professor Media Arts Technology Program Gregory Johnson, Professor Religious Studies Georgios Koutroulakis, Lecturer PSOE Physics . Curtis Roads creates, teaches, and pursues research in the interdisciplinary territory spanning music and sound technology. 805.893.3412 Assistant Professor, Media Arts and Technology and Computer Science (by courtesy), The Expressive Computation Lab's objective is to foster the development of expressive computational tools for art, design, and engineering. BEng, Systems Design Engineering, University of Waterloo, Canada. 223k Followers, 1,160 Following, 1,650 Posts - See Instagram photos and videos from JENNIFER JACOBS - Wellness Fitness & Nutrition (@jmethod) jmethod. ::dRUbN8(KAfjp-ip,.>J@ ,(KZT* ]/ 5CPb ti( 1NpqA PPw Ef} -F`Ivp5L1D0D1dLd7& Fostering an inclusive environment where students from all backgrounds can achieve their highest potential. JENNIFER JACOBS - Wellness Fitness & Nutrition. Expressive Computation Lab website: ecl.mat.ucsb.edu. Jennifer Jacobs, Joel Brandt, Radomir Mech, and Mitchel Resnick. Her group has recently developed and released AppScale - an open-source platform-as-a-service cloud computing system that implements the Google App Engine (GAE) APIs and that facilitates next-generation cloud computing research. safeguard properties lawsuit 2017; syl johnson chad ochocinco father In the course of our research, we explore new methods to integrate iterative systems engineering with professional creative practices. Associate Post Doctoral Research Fellow Opportunities for PhDs to work on world-class computer science research with faculty members. Jennifer Jacobs researches ways to support expressive computer-aided design, art, and manufacturing by developing new computational tools, languages, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. Her research examines ways to diversify participation and practice in computer programming by building computational tools for art, design, digital fabrication, and craft. Her research and teaching encompass environmental media, the history and theory of electronic media, game studies, science and technology studies, and sound studies. Faculty. Media Arts and Technology/Expressive Computation Lab, University of California Santa Barbara, United States, Jennifer Mary Jacobs. sarahjacobs@ucsb.edu ALL RIGHTS RESERVED. He studied acoustic and electronic composition from 1968-73 at Cologne Music University as well as sonology from 1971-72 at Utrecht University. We create new hardware and software interfaces that allow practitioners to combine computational abstraction, automation, and generativity with direct-manipulation, manual control, and physical materials. Her first book, Although computational tools and computer programs are used more now than ever it can be difficult to fully integrate technology into art and design because of how different each artist is. Jennifer Jacobs is an American journalist who is currently a senior White House correspondent for Bloomberg News. His music is available on compact discs produced by the MIT Media Laboratory, Wergo, OR, Mode, and Asphodel. In 1994, when he started his Voice of the Shuttle Web site for humanities research, he began to study information culture as a way to close the circuit between the literary or historical imagination and the technological imagination. Alenda Chang joined the UCSB faculty in 2015, following two years as a digital humanities and environmental literature professor at the University of Connecticut (Ph.D. Jennifer Jacobs is an Assistant Professor in Media Arts and Technology at the University of Santa Barbara. Jennifer Jacobs, J Method Fitness, will help you reach your goals no matter what they are and where you are, rom personal training, cycling, running, shadowboxing, movement and mobility, nutrition, etc. In particular, we investigate the design, engineering and study of human-AI integration through novel interfaces, interactions, tools and systems focusing on skill acquisition, task guidance and creative collaboration. ,01nXu`LzG3:0e`\qS9Ol*+20r2d01!X~>'@ 4cc endstream endobj 1332 0 obj <>/Filter/FlateDecode/Index[77 1229]/Length 53/Size 1306/Type/XRef/W[1 1 1]>>stream 0000004438 00000 n She is the recipient of a Brain and Behavior Young Investigator Award, a Robert Wood Johnson Foundation . 1,160 following. Jennifer Jacobs and Amit Zoran Hybrid Practice in the Kalahari: Design Collaboration Through Digital Tools and Hunter Gatherer Craft. Assistant Professor Legrady's artistic works have been supported by awards from the Creative Capital Foundation, the Daniel Langlois Foundation for the Arts, Science and Technology, the Canada Council for the Arts, the National Endowment for the Arts, and a John Simon Guggenheim Fellowship in Visual Arts in 2016. She completed a masters of science in the High-Low Tech group and an MFA in Integrated Media Art from Hunter College. Jennifer Jacobs and Leah Buechley Codeable Objects: Computational Design and Digital Fabrication for Novice Programmers. dyoung@ucsb.edu, Jennifer Scalzo MFA San Francisco Art Institute. The EC2 project was realized by a team consisting of Roads as project manager, with software developers Jack Kilgore and Rodney Duplessis. Professor At UCSB, she directs the Creative Computing Initiative and co-directs Wireframe, a media studio that promotes collaborative theoretical and creative media practice with investments in global social and environmental justice. He was visiting faculty at UCLA, Nova Scotia College of Art & Design, and the National Academy of Fine Arts, Budapest, Hungary. Since 1996, he has written widely on the history of science and technology after 1945 including two books: Giant Telescopes: Astronomical Ambition and the Promise of Technology (Harvard University Press, 2004) is an exploration of the politics, policy, and technology behind the current generation of ground-based telescopes while Keep Watching the Skies: The Story of Operation Moonwatch and the Dawn of the Space Age (Princeton University Press, 2008) chronicles the activities of citizen-scientists who organized a global network of satellite spotters during the Cold War. Specialties: computer vision, human-computer interaction, multimodal/perceptual interfaces, gesture recognition. Before joining the faculty at UCSB, he served as postdoctoral researcher in the DFG SPP "The Digital Image", associated researcher in the Critical Artificial Intelligence Group (KIM) at Karlsruhe University of Arts and Design, and Assistant Curator at ZKM Karlsruhe, Germany. Hy th li sau. Born in 1945, Clarence Barlow obtained a science degree at Calcutta University in 1965 and a concert pianist diploma from Trinity College of Music London the same year. in Electrical Engineering in 1998 in the area of electron-beam lithography. Office: ED 3228, Multiple-Subject (MST, Elementary) He received his Ph.D. in Electrical Engineering in June 2006, advised by Dr. Pat Hanrahan. PhD Massachusetts Institute of Technology . He is also principal investigator of the UCHRI multi campus research group "Critical Machine Learning Studies" (2021-23), and the international research project "AI Forensics" (2022-25), funded by the VW foundation. estabrook@ucsb.edu Media Arts and Technology, Computer Science, University of California, Santa Barbara As a historian, McCray is fascinated by the visions of the future that litter the past. tepapp@education.ucsb.edu 0000132293 00000 n His work has received press fromoutlets such as the NY Times, BBC, Cell, Science, and the Late Show with Stephen Colbert. I am an Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy), where I direct the Expressive Computation Lab. He has authored more than 60 scientific articles, and has edited two books on immersive virtual reality. Playing Nature: Ecology in Video Games, develops environmentally informed frameworks for understanding and designing digital games (University of Minnesota Press, December 2019). 735 20 Her work is in the permanent collection at the Los Angeles County Museum of Art. Add to Calendar 01/19/2023 02:00 PM 01/19/2023 03:00 PM America/Chicago Jennifer Jacobs (UCSB) - Expressive Computation: . 0000001180 00000 n Follow. Jennifer Jacobs is Assistant Professor in Media Arts and Technology and Computer Science (by courtesy) at the University of California, Santa Barbara.

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